new song: “The Sprawl”

Recording

Lyrics

Tough times, weak minds
I’m running through this city and I know it’s my time
Analog waves (carry the) information exchange
Visions that rush me at breakneck pace
Gotta fly below radar, run beneath the camera eye
Gonna tell the truth and run

Someone sits down to say grace
Someone fronts it to save face

Instrumentation

Except the vocals, this is all synthesizer, particularly employing the Kaossilator Pro+ (with and without an electric guitar’s distortion pedal). I also used one of Garageband’s arpeggiators (“Bass Wave Cycles”), and two of Garageband’s AI drummers (“Jasper” and “Max”). Garageband’s “Natural Vocal” and “Fuzz Vocal” filtered my voice.

two years and seven love songs (with lyrics)

Axis Evil, the musical arm of this outreach effort, turns two years old this Valentine’s Day. As the project music started out of romantic frustration (with the song “Talk”), I thought I’d post the seven love songs I have written in the last two years. Also, I intend to reference these as a group in later posts.

Recordings

Lyrics

Stunt Double (You Will Always Be My Friend)

A stunt-double in your epic tragedy
Driven by this deep, vacant irony
Walking that thin line
Between faith and absurdity
Between a vision and a thousand exits
But I’ll keep running alongside you
I’ll keep running alongside you
And you will always be my friend

Please read my letters
Please understand

You can drive from your fortress
You can drive from your distance
but just drive
please just drive
because you already drive my heart
and I’ll keep up alongside you
I’ll keep running alongside you
And you will always be my friend

Please read my letters
Please understand
Hold me accountable
Maybe even hold my hand

Please hold me accountable
and maybe even hold my hand

Nice Girl

I’m not in love, but I like the idea
Not infatuated, but I’ve got that feeling
Just enough to keep me in pursuit
Just enough to keep me in pursuit

I’m not in love, but I like the idea
It’s a relief, and a new anxiety
She’s a nice girl, and I want to find out who she is
She’s a nice girl, and I want to find out who she is

She’s a nice girl, and I want to find out who she is
She’s a nice girl, and I wonder what secrets she keeps
She’s a nice girl, and I want to find out who she is
She’s a nice girl, and I want to find out what’s in it for me

You Can Drive the World

I’m a gentle discontent
Ready for poise
Ready to please
Ready to gain advantage

I’m bold discontentment
Ready to light something big
And this world is not enough
So let’s make a new one

My agenda is to fuck you
My agenda is to drive you
Decent and kind
Loving and responsible
And you can drive the world

I’m gentle release
Disguised as pressure
Disguised as peace
Ready to gain advantage

I’m bold release
With no loss of composure
No loss of grace
And this world is not enough
So let’s make a new one

My agenda is to fuck you
My agenda is to drive you
Decent and kind
Loving and responsible
And you can drive the world

With no loss of grace
No loss of composure
You can drive the world

Talk

If I’m loving and kind, then why am I so pissed?
Acceptance would be much more noble
Moving on so much more mature
But instead I’m gonna throw… throw a lyrical fit:

You say I’m brave and nice
Why won’t you talk with me?
You say I’m honest
So why won’t you talk with me?

If I’m loving and kind, then why not make amends?
I tried to reconnect
Tried to reach your point of view
But now I just don’t get it
Now I just don’t get it

You say I’m brave and nice
Why won’t you talk with me?
You say I’m honest
So why won’t you talk with me?

What is the point of love that goes nowhere?
What is the point of love that goes nowhere?

I just want to talk with you…
I just want to talk with you…
I just want to talk with you…
I just want to talk with you…

Waste

I’ve had better days
This one went completely apeshit
In shock about how much was wasted
In shock about how much was lost
I’ve had better days

Trying to turn the page
Turn the mind
Turn my imagination
Trying to turn the page and walk on by
But I can’t turn my heart

This hope seeks recognition
Connection, resolution
And it’s more about the love I want to give
Than that I want to receive

I’ve had better days

It’s when you pray for a better resolution
But don’t care what it is
And you’re appalled at how much was wasted
And desperate for what was lost
I’ve had better days

Trying to turn the tide
Turn the mind
Turn the outcome
Trying to turn this thing around
But I can’t turn my heart

This hope seeks recognition
Connection, resolution
And it’s more about the love I want to give
Than that I want to receive

Unrequited love is such a waste
Unrequited love is such a waste

I’ve had better days

Prayer (Say Nothing Again)

I just want to say nothing again
I just want to say everything again
But you won’t listen anyway
But you won’t get it anyway
So I’ll just say nothing again

I can’t let her go right now
So what the fuck do I do?
Trying to find a way to leave the situation
Trying to think of every way to get her attention

‘Cause I just want her to stop ignoring me
And if she’s not going to talk with me
I need you to explain what’s up
I need you to explain what’s up

I just want to say nothing again
I just want to say everything again
But you won’t listen anyway
But you won’t get it anyway
So I’ll just say nothing again

Maybe it’s slightly obsessive
But its probably real love
And I just want to share it with her
And I just want to spend time with her

So I’ll just give you the finger
And say nothing again
But I really want something new to happen
Really want you to explain it to me
Really want you to explain it to me

I just want to say everything again
I just want to say everything again
But will you listen? I know you get it
But will you listen? I know you get it

So I’ll just give you the finger
And say nothing again

Pearls To Swine

I gave you kindness and respect
You threw it back in my face
I cast you my pearls
You ground them into the floor
Now I just want to stop wasting time on you
Now I just want to stop loving you

But how can I walk away from how I feel?
How can I choose not to care?
How can love go so badly?
How can love go so badly?

This is not who I want to be
Stuck with feelings that go nowhere
Stuck in a tired pattern
Casting my pearls to swine
Now I just want to stop wasting time on you
Now I just want to stop loving you

But how can I walk away from how I feel?
How can I choose not to care?
How can love go so badly?
How can love go so badly?

This is not who I want to be
This is not who I want to be

new song: “Stunt Double (You Will Always Be My Friend)”

Recording

How I Recorded It

I recorded this in my RV using GarageBand and a USB audio interface, pictured below. Played with a guitar slide and ran the resulting signal through GarageBand’s sitar emulator to produce the ghostly, bluesy sound.

Lyrics

A stunt-double in your epic tragedy
Driven by vacant irony
Walking that thin line
Between faith and absurdity
Between a vision and a thousand exits
But I’ll keep running alongside you
I’ll keep running alongside you
And you will always be my friend

Please read my letters
Please understand

You can drive from your fortress
You can drive from your distance
but just drive
please just drive
because you already drive my heart
and I’ll keep up alongside you
I’ll keep running alongside you
And you will always be my friend

Please read my letters
Please understand
Hold me accountable
Maybe even hold my hand

“distorted and out of tune” – a troll (sort of) gets it

I received the following response from a troll regarding music [4] I released recently:

The music is “distorted” and dissonant—and would sound “out of tune” to many who lack musical sophistication. That is intentional. A compositional choice.

And the dissonance intentionally speaks to the experience of feeling “out of tune” as a transgender person. So our troll is correct in his surface interpretation of the music.

But he fails to see where the problem lies. I assume that his interpretation is that the transgender person is “sick” in some way, compared to some standard of wellness that he and most individuals presumably meet.

But the transgender person is actually fine biologically and psychologically, as I’ve demonstrated in my scientific articles [1, 2, and 3]. So the problem emits from living within an unsupportive and hostile environment. This experience causes sickness in all individuals—a feature of being human, not a trait specific to the transgender population.

I sing these songs today so that transgender folks among future generations need not feel “distorted and out of tune”.

About “Axis Evil”

I perform as “Axis Evil“, the musical arm of my outreach work. Please follow the feed on Facebook and Twitter.

Update 20 November 2017

I further discuss the dissonant and distorted features of my music as it pertains to the transgender experience in my March 2017 post “this is transgender music”, which goes into far more detail than this text does.

References

  1. the science of gender identity (part 1: genetics)
  2. the science of gender identity (part 2: brain anatomy)
  3. the science of gender identity (part 3: psychology)
  4. the music discussed above:

perhaps my stage presence is too masculine… (part 2)

In my recent post “perhaps my stage presence is too masculine… (part 1)”, I ask whether I move too much like a guy while performing, and ask whether I care.

I worked out my answers to both questions: Yes, and yes.

The video posted below shows the problem: My movement to the music flows from my chest on up (masculine), rather than from my hips (feminine). I want to drive my motion from the hips to produce more feminine fluidity and curve.

And now that I’ve observed this, I feel deeply uncomfortable that I’m not achieving the more feminine display. It just doesn’t “feel right”.

What I really need to do is watch other female musicians play guitar while simultaneously singing, to see what they do with their bodies.

Also, in all the music videos I’ve posted on this blog so far, I wear flats. This was so I could jump around for the performance of “Voice in the Distance”. I should see what I can do wearing platform heels (I won’t jump around, that’s for sure).

Here is a video featuring my arrangements of “Enjoy the Silence” and “La Isla Bonita”. The second song is a samba, so the call for significant hip motion proves especially pronounced:

the one song I kept (artistic synthesis)

I’ve released two rock albums since transitioning. Moreover, these are the only albums I’ve ever released. I wrote all the songs for these albums post-transition… except one. Here I talk about that one and why I kept it.

The song is called “Voice in the Distance” and it appears on my debut album “City of God”.

First, it makes more sense to look at the songs I left behind, rather than the one I kept. I wanted a musical reset since the emotional upheaval that accompanied my transition drove the construction of “City of God”. I developed a new sound at that time and wanted to leave my old sound behind, just like I was developing a new (public) identity and leaving my old one behind.

ASIDE: The intersection of my transgender experience and several songs on both my albums “City of God” and “Light Me Up and Love the Bomb” is explored in the post “this is transgender music” if you are interested.

So that explains why I did not keep most of my old songs. But what about “Voice in the Distance”? Why did I retain and promote it?

First and foremost, I thought it was the best song I had written pre-transition and worth preserving in an artistic sense. Moreover, it anticipated the sound I was to develop post-transition. So musically it belonged with my newer material.

Second, I did not have any subconscious association between that song and masculinity. My other pre-transition songs were written for all guy bands.

Finally, “Voice in the Distance” is a spiritual song—but not “in your face” about it—that really transcends gender. I relied on every ounce of spirituality I held to survive my transition, and so spirituality belonged on the debut album. Even the debut album’s name “City of God” is spiritual. So in that way “Voice in the Distance” looked forward in time, even though I wrote it about nine years prior to writing “Talk”, my first post-transition song.

Transition requires a life trajectory of constant evolution. This provides a wellspring of artistic material and artistic synthesis.

BTW: “Voice in the Distance” is one of my favorite pieces to perform live. First and foremost, I’m good at performing it, as I’ve played it often and had it for so many years. Also, people like it! More importantly, I enjoy playing it. The tune is complicated enough to satisfy my intellect and simple enough (for my guitar/voice skill) to perform effortlessly.

new album!

Just released a new album today:

The cover photo was taken of graffiti in Kashmir. Three of the songs explore my evolving feminine sexuality. The other two are sitar instrumentals.

Three of the songs on this album are described in my post “this is transgender music” if you are interested.

 

nice girl

A friendly punk song about a woman whom I think is fabulous. She knows who she is!

Recording

Lyrics

I’m not in love, but I like the idea
Not infatuated, but I’ve got that feeling
Just enough to keep me in pursuit
Just enough to keep me in pursuit

I’m not in love, but I like the idea
It’s a relief, and a new anxiety
She’s a nice girl, and I want to find out who she is
She’s a nice girl, and I want to find out who she is

She’s a nice girl, and I want to find out who she is
She’s a nice girl, and I wonder what secrets she keeps
She’s a nice girl, and I want to find out who she is
She’s a nice girl, and I want to find out what’s in it for me